Mudd closed, Reopens 7pm on 3/31

Due to SIP work. The branches are open and Ask a Librarian is online.

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Today’s Hours:

All Hours & Directions

Terrell Main Library

Closed due to lack of power

Circulation Desk

Closed due to lack of power

Research Help Daytime

10 - noon and 1:30 - 4:30pm Chat (Ask a Librarian)

Research Help Evening

Closed

Libraries Administrative Office

Closed due to lack of power

Azariah's Cafe

Closed

CIT Help Desk

Writing Center Daytime

Closed

Writing Center Evening

Closed

Speaking Center

Directions:

Location:

Mary Church Terrell Main Library
148 W College St. Oberlin, OH 44074-1545

Parking:

The main visitor lot is the east Service Building lot, and the south row of the Carnegie Building lot for visitors to offices within that building.

Terrell Main Library Floor Plans

Floor Plans

Other Libraries Hours & Directions

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History of the Collection

Doc Cheatham was born in Nashville, TN on June 13, 1905. He began playing cornet in 1919 and initially also performed on saxophone, primarily in vaudeville settings. He also accompanied a number of blues bands and singers during this time.

He moved to Chicago, where he worked with King Oliver and Louis Armstrong, and then spent a brief period of time in Philadelphia in the 1920s. He then moved to New York where he worked with Chick Webb, Sam Wooding, and others. For the next 50 years, Cheatham performed primarily in large ensembles, including those led by Cab Calloway, Teddy Wilson, Benny Carter, and Benny Goodman.

Beginning in 1981, he led a big band at a weekly appearance at New York's Sweet Basil. He also regularly appeared with smaller ensembles, allowing him greater opportunities to improvise than he often had in big band seetings. He continued to perform and record into the 1990s, winning a Grammy Award for an eponymous LP he recorded as a co-leader with Nicholas Payton in 1996. Cheatham died in Washington, DC, on June 2, 1997.

Cheatham long maintained a respected technique on trumpet and was often cited for his striking articulation and clarity of tone. In the 1970s, he conducted an extensive review of his technique and made a number of changes, resulting in some of his best work being produced towards the end of his career. His singing career began in 1977 during a recording session in Paris. In the context of a microphone check, Cheatham sang and scatted through the tune "What Can I Say Dear After I Say I'm Sorry." His performance went on to be featured on the resulting LP, and he incorporated singing into his performances regularly from that point on.